Too Many Zooz
Friday, June 5th, 2020
The curious thing about being a fan of brasshouse? You're pretty much talking about being into one solitary but extremely unforgettable band: the amusingly monikered Too Many Zooz.
The musical style was "branded" by drummer King of Sludge, who recognized that there was no worthy existing classification for the New York trio, whose other two members are the equally unclassifiable Leo P (saxophone) and Matt Doe (trumpet).
"Brasshouse is a high energy musical conversation," Matt insists. "Though I honestly don't think there is a good way to describe it in words. It's about many different feelings and sounds and emotions."
Or as KOS so decisively puts it, "I don't really care about what's happening in music -- I just make art that I enjoy making."
It's exactly this indifference to convention and trend that has garnered Too Many Zooz a fanbase that KOS describes as "wide-ranging and fanatical." One of those fans? In 2016, Beyonce asked them to perform with her at the Billboard Music Awards...and it's quite possible they got just as much attention as did she.
After two years, a gazillion live performances and four EPs, their debut album Subway Gawdz (an unsubtle reference to their birth in the underground stations of NYC), was released to enthusiastic acclaim in 2016. Its sound was truly like nothing else, with inescapable grooves that take in dub, soul, funk and ska, utterly exhilarating horn blasts that shoot right up your spine, and, of course, equal doses of fun and attitude.
Too Many Zooz, is, as ever, constant touring. The reason is simple: it's their outrageous, electrifying live performances that consistently continue to add the numbers to their growing worldwide legion of fans.
"I don't think there's any recording that can do a live performance justice," reckons Matt. "You'll see people of all different colors, creeds, genders, ages, sexuality at our shows. I really can't find a constant between them...besides liking our music -- haha."
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